December 19, 1999
Lure of a Pre-Celtic Grave
By DENISE FAINBERG
In three visits to Newgrange over the years, the author
has pursued the silent mystery of the neolithic Irish who built
it
hat I remember from my first visit to Newgrange
-- the now-famous passage grave in County Meath -- is the rippling
grainfields facing the tomb, green and shifting, like the sea. The
great mound itself had dominated the Boyne River valley for thousands
of years, dark and virtually unchanged. It was 1965 and I was 14,
on a family trip to Ireland.
You could drive right up to the site then, on a little road that
stopped at a makeshift building serving the archaeologists, whose
systematic excavations had begun in 1962. There were no other tourists
about. A young man, a student maybe, offered to show us around. There
was the great entrance stone, all spirals and wavy lines; the ring of
curbstones set into the green mound like a circlet on a head; and the
burial chambers.
The young man led us down the narrow, not quite straight, passage
to the triple chamber, where (he explained) the cremated remains of
individuals had been placed. He told us about the impressively
corbeled ceiling that kept the damp out, and showed us more carvings
on the huge inner slabs. It was wonderful. Who? Why? When, they could
tell us -- about 3300 B.C., by carbon checked with pollen dating.
(That was the first I had heard of pollen dating. I marveled.) What
did it mean? The spirals, lozenges and so on betokened a mind so
different as to be almost alien. Though maybe not as alien as all
that; some of the same geometric forms turn up on Aran sweaters.
My sister and I were so impressed that we returned in 1971. We were
hitchhiking around Ireland and, as I remember, had to walk a
few miles from the nearest village to get to Newgrange. A partly
constructed, gleaming white facade glinted surprisingly in the
ephemeral Irish sun.
Prof. Michael O'Kelly, who led the archaeological team from 1962 to
1975, had found quartz rubble under the grass and decided that the
tomb had originally been faced in white quartz. This would have made a
more imposing monument than a simple mound, however large, and would
have been visible for quite a distance. He set about recreating this
effect (in fact, it gave rather the impression of a spaceship at
rest). Now the entrance was no longer a plain hole in the hill but a
gaping black doorway contrasting with the white facing. We entered the
tomb again. We also managed to visit Knowth and Dowth, two nearby
passage tombs that had been excavated not long before. They were not
as elaborate as Newgrange, but were clearly offshoots of the same
pre-Celtic culture.
Years went by. I visited Newgrange for the third time, in June
1998. For years now access has been only by guided tour. The site was
declared a national monument in 1985; a fair amount of land seems to
have been acquired, either prior or as a result. In June 1997 a
visitor center was opened, providing controlled entry to the site and
the starting point for tours. Entrance costs $3.25, unless you also
want to visit Knowth, in which case you pay $8. Dowth is closed,
deemed unsafe.
I took a public bus to the parking lot and walked a couple of
hundred yards to the visitor center, from which scheduled shuttle
buses run the mile or so to the Newgrange tomb. Unaware that the
shuttles were assigned, I browsed peaceably around the exhibits. A
diorama shows the area -- Bru na Boinne -- as it probably looked when
Newgrange was under construction. It's a fascinating and healthily
circumspect interpretive center. There was a marked reluctance to jump
to conclusions about the meaning of the carvings, the purposes of the
various tomb features, or what rituals may have been performed there
-- a contrast to the spate of speculations prevalent in the 60's and
70's, and even now in the New Age press, regarding such monuments.
Tools and artifacts, and some reconstructed clothing, showed, not
surprisingly, that the neolithic Irish lived much as American
Indians did before Europeans came; except that the Irish had
domestic cattle and sheep. When I showed up half an hour late for my
assigned shuttle, the driver and dispatcher were thrown quite off
kilter, which surprised me; I hadn't noticed that things in
Ireland ran particularly on time. But all was set right with a
call to the front desk, and I was off on the next bus.
The shuttle careered down a narrow lane (is that the old access
road?) to a gate and a small employees' hut (which I'm almost sure is
a refurbished bit of the old archaeologists' shed). Out came our
guide, a boy -- at least, he looked like a boy to me now -- who was
unused to public speaking, but who did his best. His best was not very
loud, though, and our group was mostly German; one woman had been
appointed interpreter for the others, which made the guide's speech
even less audible. A wind came up.
We had to wait a bit, till the previous group vacated the tomb.
Then we entered the passage; an aide at the entrance reminded us, with
raised hand, to mind our heads. The slabs walling the passageway were
much smoother than I remembered, almost glossy, polished by tourists'
shoulders over the past 30 years.
Our guide illuminated some of the decorated surfaces for us. Then
-- this was something new -- he extinguished the interior lighting
(was that there before?) and, with a couple of remote-controlled,
hidden lights, recreated the phenomenon for which Newgrange has become
famous. At sunrise on the winter solstice, the first rays enter
through a lintel box above the door, slip down the passage, and alight
on the end burial chamber (actually, they now alight a little to the
side, due to a shift in the earth's axis). We watched as an artificial
light appeared on the floor and spread down to its destination, then
disappeared.
That was a rather nice touch, I thought, since how many of us could
participate in the real thing? Of course, our guide hastened to point
out, the real thing is much brighter and more impressive, being
produced by the sun and not some miserable light bulbs. Still, we got
the idea. Perhaps this was compensation for taking us to the small
chamber 15 at a time so that we had to thread our way under and around
and through each other to examine the chamber in the minute or two
allotted to free observation, before being shooed out to make way for
the next group.
The waving fields are still there, but they seem farther away now,
and bigger; some have been planted in potatoes. For safety reasons,
the entrance has been set back into a concavity lined with gray stone,
breaking the facing -- a decisive rupture with the original design.
Further excavations have been carried out over the years; a site of
the Beaker People -- unrelated to the tomb builders, and probably
Ireland's first metal workers -- was discovered quite near the
tomb, and a number of circles. All this is now set in an expanse of
mowed grass. The eye admires the sweep down to the Boyne and across to
the visitor center and the low hills.
I don't know. Newgrange received 220,000 visitors in 1997.
Obviously such numbers have to be managed. Obviously, too, the place
must be protected from vandals, who started scratching graffiti on the
inner slabs in the 19th century and have only become more numerous and
more mobile in the 20th. The spiral stones still impress: the quartz
facing gleams, reminiscent of a grassy Jefferson Memorial.
But there is little time in which to absorb the silent mystery --
hardly silent any more -- or to examine the stones and the richness of
the site. I did learn some interesting things at the visitor center,
though it looks incongruous rising in modernistic splendor opposite
neolithic tombs -- for instance, that the Irish climate had
been warmer and drier in the tomb-building period than it is now. For
that I was grateful on behalf of the Bru na Boinne people.
We scuttled out into daylight. I wanted to examine the Beaker
remains a few yards away, but the blue shuttle was waiting at the foot
of the hill, and I could hardly upset their apple cart twice in one
day. "Everybody on?" called the driver. I was the last. And we were
wafted back to the center, with its inevitable tearoom and gift shop.